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1935年秋至1936年秋上海左翼文艺界发生的“两个口号”论争,是在建立文艺界抗日民族统一战线过程中发生的论争,影响至为深远。它也是中国现代文学研究和鲁迅研究中一个十分重要而长期存在争议的课题,因而有必要对这次论争中的史料进行认真梳理,如实介绍双方的立场和观点,客观全面地作出分析和评价。
The controversy that took place in the autumn of 1935 and autumn of the left-wing literary and art circles in Shanghai in the fall of 1935 was a controversy in establishing the anti-Japanese national united front in the field of literature and art, with far-reaching implications. It is also a very important and long-standing controversial issue in the study of Chinese modern literature and in Lu Xun. Therefore, it is necessary to conscientiously review the historical materials in this debate, truthfully introduce the positions and opinions of both sides and make objective and comprehensive analyzes and evaluations.