日本现代漫画普及的鼻祖手冢治虫出现在50年代,60年代,手冢开始了动画创作。手冢的作品不仅技术手段有了创新性,内容上也非常注重故事性。和以前教育孩子听话的卡通故事完全不一样,这些作品非常重视戏剧性表现,以一种平等的思维方式对待受众,赢得了不同年龄层的喜爱。每个时代的人都有自己的神话,孩子在挑战大人的权威中成长。接近真实的故事情节构成中,“大人总是对的”这种日常的逻辑被推翻了,孩子们在重重危机的故事情节展开中,用抛开多数社会羁绊的思维方式去理解种种困难,用异想天开的思维方式去寻求破解方法。为其日后进入社会时突破种种环境限制、解决面临问题提供了一种 The originator of the popularity of Japan’s modern manga Tezuka Osamu appeared in the 1950s and 1960s, Tezuka began animation. Tezuka’s work is not only innovative in terms of technical means, but also attaches great importance to the story in the content. Unlike the cartoon stories that used to teach children to obey, these works attach great importance to the dramatic performance, treat the audience with an equal way of thinking and win the love of different age groups. Every age has its own myth, children grow up challenging the authority of adults. Close to the true composition of the story, “adults always right ” This daily logic was overthrown, the children in the story of a heavy crisis in the development, with the majority of social fetters thinking way to understand the difficulties , With a whimsical way of thinking to find ways to crack. For its future into the community to break through a variety of environmental restrictions to solve the problems provided