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一中国当代戏剧艺术的命运,的确是太富于“戏剧性”了:在它迷失了艺术本性的时候,它从来也没遇到观众走失的危机;在它寻找自己艺术本性的时候,它却进入了空前的观众走失期。这是怎么回事?难道观众竟是同艺术对
The fate of a contemporary Chinese theater art is indeed too “dramatic”: it has never encountered the crisis of loss of audience when it lost its artistic nature; as it sought its own artistic identity, it entered An unprecedented audience out of date. What’s going on? Is it that the audience is actually the same as the art?