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乾隆五十五年(1790)四大徽班进京,习惯上被视为京剧史的发端。而从历史来看,无论是进京徽班,还是南方徽班,都有演出昆腔戏的传统,戏班“两下锅”、剧目“风搅雪”、演员“昆乱不挡”始终是普遍现象。近代以来,由于商业性戏园演出形式的冲击,徽班演出昆腔戏的数量有所下降,但并未绝迹。直到20世纪50年代后,在“剧种论”思维的支配下,“以西皮、二黄为主要腔调”的“京剧院团”中,昆腔戏的演出才最终成为历史。
Fifty-five years of Qianlong (1790) four emblem classes to Beijing, is customarily regarded as the beginning of the history of Beijing Opera. From a historical point of view, both the emblem of the Beijing emblem classes, or the southern emblem classes, have performed the traditional opera opera show “two pots”, the repertoire of Block “is always a common phenomenon. Since modern times, due to the impact of commercial theater performances, the number of Kunqu Opera performances in emblem classes has declined, but it has not disappeared. It was not until the 1950s that in the ”Peking Opera Troupe“ dominated by ”The Theory of Drama“, ”Kunqu Opera Troupe“ was mainly composed of ”The West Cacal and the Second Huang".