作为中国四大剧种之一 ,川剧一方面在整体神韵上继承并发扬着东方戏曲写意传神的固有模式 ,一方面又在巴蜀地域人文环境的熏陶中形成了自具个性的表演体系和舞台风格。本文从艺术家表演实践和符码化舞台时空入手 ,结合二度创作、表演程式、心象示现和时空处理四个方面 ,对川剧艺术的审美特色作出了自具心得的探讨 As one of the four major Chinese operas, Sichuan Opera inherits and develops the inherent mode of oriental opera’s freehand expression on the whole charm. On the one hand, it also forms its own performance system and stage style under the influence of the cultural environment in Bashu. This article starts with the artist performance practice and the space-time of the code-coding stage, and makes a self-understanding discussion on the aesthetic features of the Sichuan Opera by combining the second degree creation, the performance program, the psychology display and the time-space treatment