中国现代审美文学观的形成基础是什么 ?中国现代审美文学在哪一个层面上与功利文学观形成对峙 ?道家文化资源在现代审美文学观的形成过程中发挥了多大作用 ?在“影响的焦虑”下借鉴西方审美文学观的本土性基础在哪里 ?审美文学观的东传过程中是否存在“有意误读” ?本文对此作了探讨 ,认为审美文学观在传入中国以后 ,一方面与老庄一脉哲学的艺术心性论相结合 ,创造了本土特色的美文美论 ;另一方面 ,也无可避免地遭到了传统道德心性论的改写。审美文学观终究难免被压抑的命运 ,功利文学观在绝大多数时间里仍然占着上风。文章通过爬梳道家文化与现代审美文学观的关系 ,指证了道家文化作为审美文学观传入的基础性作用 ,同时也分析了审美文学观被道家思想所“误读”与“改造”的过程。 What is the basis for the formation of the Chinese modern aesthetic concept of literature? At what level does Chinese modern aesthetic literature confront the concept of utilitarian literature? What role do Taoist cultural resources play in the formation of the modern aesthetic concept of literature? In the “anxiety of influence” Under the Western aesthetic concept of literature under the local basis of the where? Aesthetic literature view of the East during the transmission of “intentional misreading”? This article made a discussion, that the aesthetic concept of literature in China after the introduction, on the one hand and the old Zhuang a pulse philosophy of art theory of the heart of the combination of the creation of the local characteristics of the United States and the United States on the other hand, is also inevitably met the traditional rewriting of moral theory. After all, the concept of aesthetic literature will inevitably be repressed fate, utilitarian literature view in most of the time still prevail. Through the relationship between combing Taoist culture and modern aesthetic literature, the article points out the basic role of Taoist culture as the introduction of aesthetic literature. At the same time, it also analyzes the process of “misreading” and “reforming” the aesthetic concept of literature by Taoism .