本期刊发孟繁玮《路在脚下——文脉承续与生态重建并重》,主张应理智地看待自身悠久的传统文化血脉,应该对“在全球化语境下和地域文化矛盾日益加剧的今天,如何看待西方美术的‘东方转向’?中国美术如何正确地去西方化和再中国化?中国美术如何走出西方现代主义之外的现代之路?”等一系列问题进行反思和前瞻性的探讨,指出“中国美术观”的建构之路并非朝夕可为,因为它与中国文化的伟大复兴息息相关。姚玳玫《画谁?画什么?——从自画像看民国时期女性西画的图式确立》,通过对民国时期女性自画像西画图式的梳理,探讨中国现代女性美术起步时期的一般状况,指出“自画像”的盛行是个人主义时代的一道标志,其内倾性、自恋性、自传性与中国女性在漫长的历史格局和自然生存格局中形成的人格心理,有某种天然的契合。 This issue is published by Meng Fanghui at the foot of the road - both the cultural continuity and the ecological reconstruction should be emphasized. It is advocated that our longstanding traditional culture should be rationally viewed and that the contradiction between local culture and culture is aggravated by globalization Today, how to think about the oriental turn of Western art? How can Chinese art correctly go Westernization and re-Chineseization? How can Chinese art get out of the modern way outside Western modernism? A series of questions such as reflection and forward-looking . It points out that the construction of “Chinese art concept” is not an overnight course because it is closely linked with the great rejuvenation of Chinese culture. What is the painting? - From the self-portrait to see the Republic of China female Western painting during the establishment of schemata “, through the Republic of China during the self-portrait Western painting style combing to explore the general situation of China’s modern women’s art start-up period, pointing out that” self portrait "Is a symbol of the era of individualism. Its introversion, narcissism and autobiographical nature have some natural fit with the personality traits formed by the Chinese women in the long historical pattern and the natural living pattern.