中国人物画自唐宋以降颓势渐成,至清末已衰败之极,此势直至近代任伯年、徐悲鸿、蒋兆和开启中国人物画的复兴,方为扭转。本文试从任徐、蒋三人给中国人物画带来的变化、影响及贡献入手,并比较当代人物画风格的嬗变,探索在现代语境下人物画多元发展的必然性。 Chinese figure painting gradually declined from the Tang and Song dynasties to the decay of the late Qing Dynasty. This phenomenon was reversed until the Ren-Nian, Xu Beihong and Jiang Zhaohe of the modern era opened the revival of Chinese figure painting. This article tries to start with the changes, influences and contributions that Ren Xu and Jiang brought to Chinese figure painting, and compares the evolution of contemporary figure painting style to explore the inevitability of multi-development of figure painting in modern context.