徐凌霄——凌霄汉阁主,是一位被我们遗忘几乎半个世纪的京剧理论家。二十世纪上半叶,他如同一颗耀眼的明星,照亮了朦胧的中国剧坛。他用犀利的批评文字激励着广大剧人,他用流畅的理论篇章诱导着广大剧人,促使他们在中国戏剧继承和创新的程途上不断前进。他的剧学,无论就其分量或影响来说,都值得我们重视。然而,探讨他的剧 Xu Ling Xiao - Peak Lord, is a forgotten by us almost half a century of Beijing opera theorist. In the first half of the twentieth century, he was like a dazzling star, illuminating the hazy Chinese theater. He used sharp criticism to inspire a large number of dramatis personae. He guided a large number of dramas through his fluent theoretical chapters and urged them to keep moving forward on the succession and innovation of Chinese drama. His drama, regardless of its weight or influence, deserves our attention. However, exploring his play