这是一个中国人应该铭记的时刻,但很久以来却无人提及,在中国绘画史上更是一个空白。陈坚想用画笔把它们记录下来,激动之余又有些惶惑。国民政府时期档案属于“禁区”,单凭道听途说,包括当年的新闻报道,还只是粗线条的概念,无法还原准确无误的受降详情,更无法再现当年发生过的一切。他在创作其他抗日题材油画时,会想到抗战结束时的受降,那该是“还我公道”的最后乐章。他在思考,在酝酿,在等待…… This is a moment that Chinese people should keep in mind, but it has not been mentioned for a long time. It is even a blank in the history of Chinese painting. Chen Jian want to use a brush to record them, while excitement and some apprehensive. During the period of the Kuomintang government, the archives belonged to the Forbidden Zone. According to hearsay alone, including the news reports of that year, the concept was still a thick line. It failed to restore accurate details of the incident and even failed to reproduce everything that happened in that year. When painting other anti-Japanese oil paintings, he thought of the end of the war ended down, it should be “the return of justice,” the final movement. He is thinking, brewing, waiting ...