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埃斯普马克的《失忆》是作者自我镜像的投影,通过镜像失忆者叙述失忆才是可能的,文中所示的寻找“L”、自我与他者的对立以及由此产生的文本中荒诞的存在,皆根源于作者力图打破文本内外界限的努力,是卡夫卡、加缪笔下人类困境的延伸。它表现为文本中的作者与文本、文本中国家官僚体系与自我、文本中隐在的父亲与自我三重镜像,突显了西方文化语境中神义与我在的双重悖谬关系,是人类现代性困境中永恒的隐喻。
Espumak’s “Amnesia” is a projection of the author’s self-image. It is possible to describe amnesia by mirroring amnesiacs. The search for “L”, the opposition between ego and the other, and the resulting text The absurd existence is rooted in the author’s attempt to break the inner and outer limits of the text. It is an extension of the human predicament by Kafka and Camus. It manifests itself as the author and the text in the text, the bureaucratic system and the ego in the text, the implicit father and the self in the text, highlighting the double paradoxical relationship between the gods and me in the context of western culture, Eternal Metaphor in Dilemma.