中国绘画的现代化进程,行迹匆匆地经历了一场近百年西方现代艺术诸多流派的洗礼之后,开始进入了它的转型期。由浮躁、盲目而进入了一种沉思、酝变。在中西艺术强烈地对撞和商业大潮的冲击下,使每一位艺术家都将面临着一种重大的选择,如何在这种进程中寻找出自己的位置,将是艺术家所迫切解决的一种课题。旅居在遥远的太平洋彼岸的著名画家袁运生,这位曾经因首都国际机场壁画《泼水节——生命的赞歌》的风波而闻名海内外的画家,任一种不同空间、不同的文化氛围中,仍然思考和探索着中国艺术的未来,并以自己的独立的思考、大胆的探索,不约而同的也在选择自己的进程,寻找出自己的位置。今年3月下旬,袁运生在北京国际艺苑美术馆所举办的首次回国画展,为我们展示出了画家极其宝贵的探索成果。整个 After the baptism of many schools of western modern art for nearly a century, the process of modernization of Chinese painting began to enter its transitional period. By impulsive, blind and into a meditation, brewing change. Under the impact of strong collision between Chinese and Western art and the commercial tide, every artist will face a major choice. How to find its own place in this process will be an urgent solution for artists Question. Yuan Yunsheng, a famous painter living in the distant Pacific Ocean, was once famous for his painter both at home and abroad for the turmoil of the Songhua Festival - a hymn of life at the Capital International Airport. In any of the different cultural and cultural environments, Think and explore the future of Chinese art, and with its own independent thinking, bold exploration, coincidentally also choose their own process, to find their own place. In late March of this year, Yuan Yunsheng’s first returned art exhibition held at the Beijing International Art Gallery of the People’s Republic of China showed us an extremely valuable exploration result for the painters. entire