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本文从生态学、形态学、传播学、艺术学等多维视角 ,探讨了电视艺术的本质 ,即不是多种手段、多种方式、多种知识、多种形态的汇总 ,而是在其互动与碰撞中产生出的新的样式 ,拓展出的新的含义。由此 ,提出了“生态综合”的观念。作者从四个方面论述了综合生态化的电视艺术的本质 :平衡而非平等 ;差异而非统一 ;共生而非主宰 ;新生而非重叠。
This thesis explores the essence of television art from the perspectives of ecology, morphology, communication, and artistry, that is, it is not a summary of multiple means, multiple ways, multiple knowledge and multiple forms, but in its interaction and The new style created in the collision expanded the new meaning. As a result, the concept of “ecological synthesis” has been put forward. From four aspects, the author discusses the essence of the television art of integrated ecology: balance rather than equality; difference but not unity; symbiosis rather than domination; newborn rather than overlapping.