充实,常常是和空白联系在一起的,过实过密,不仅不能刺激读者的想象,而且只能走向充实的反面。因此,诗要有空白,要有可供读者再创造的想象天地。从这层意思上说,真正的“空白”才是充实。诗是语言的艺术,诗的创新在某种意义上来说,是语言的创新。因此,当代诗人的语言不再是“以最佳的语言作最佳的安排”(柯勒律 Enrichment, often associated with the blank, is too dense, not only can not stimulate the reader’s imagination, but only to the full complement of the negative. Therefore, the poem must be blank, and there should be a world of imagination that readers can recreate. In this sense, the real “blank ” is substantial. Poetry is the art of language. In a certain sense, the innovation of poetry is the innovation of language. Therefore, the language of contemporary poets is no longer “the best arrangement in the best language” (Coleridge