在提出这个问题时,有一个前提,即传统概念中的油画还应不应该存在,因为在西方现代艺术中这个概念几乎不复存在了,而在中国的现实中油画仍很活跃地存在着,但也失去了往日的活力,那么它怎么发展,是否会经历在西方同样的命运?本文不准备讨论现代社会与传统艺术形式的关系,而是从传统艺术自身的规定性中探讨其发展的可能性。 In proposing this question, there is a premise that oil painting in the traditional concept should not exist anymore because this concept almost ceased to exist in the Western modern art, and oil paintings are still very active in the reality of China. But it also lost its vitality in the past, how can it develop and experience the same fate in the West? This article is not intended to discuss the relationship between modern society and the traditional art form, but to explore the possibility of its development from the stipulation of traditional art itself Sex.