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近几十年油画一直是国内的文化艺术宠儿。油画家朱乃正早在20世纪60年代初即以油画《金色季节》得名,70年代初又以最能代表其清新明快色彩特征的《新曼巴》在举目皆是“红光亮”的政治绘画海洋中令人瞩目,80年代的《国魂:屈原颂》又在全国美展获奖;进入新世纪以来,他更是老骥伏枥,再次出任中国美术家协会油画艺术委员会主任,并带领一批年轻同人在全国范围内通过一系列油画邀请展重新定义油画在20世纪中国的文化地
In recent decades, oil painting has always been the darling of the country’s culture and the arts. As early as the early 1960s, oil painter Zhu Naizheng was named after the golden seasons of painting. In the early 1970s, the New Mamba, best represented by its fresh and lively colors, was featured in “red light” In the 1980s, “National Spirit: Qu Yuan” won the award at the National Art Exhibition. Since entering the new century, he has become more and more outstanding. He once again took the post of director of the Oil Painting and Art Committee of the Chinese Artists Association and led a group of young Through a series of oil painting invitations, the same people across the country redefined the cultural sites of oil painting in China in the 20th century