本雅明通过对传统艺术品在机械复制时代历史性、权威性受到威胁而逐渐丧失“光晕”现象的披露,剖析了艺术品原真性在现代社会受到挑战的原委,就复制技术在蓬勃发展之后摄影技术给社会接受带来的转变进行分析,探明了艺术品膜拜价值朝展示价值转化的原因,并从理论上为技术复制时代的艺术品寻求到了生存之地。 Benjamin through the traditional art in the era of mechanical reproduction of the historic and authoritative threat to gradually lose the “halo ” disclosure, the original works of art authenticity challenged in the modern society the whole story, the replication technology in the thriving After the development of photographic technology to social acceptance of the changes brought about by the analysis of the value of the artwork to explore the value of the show turned into, and theoretically for the art of copying the era of art to find a place to survive.