本期开版创作选择了已故艺术家梁钜辉的三件作。包括1996年的《游戏一小时》,艺术家在广州天河新兴城市的一幢摩天大楼施工用垂直升降机中,安置一台彩色电视机、一台电子游戏机和一盒打坦克的游戏带,梁钜辉随着升降机的高速上下运行中疯狂游戏一小时;《乐园》是梁钜辉1994年在广州三育路参加“没有空间”展览的作品,他在一间小房里,上下四周镶满有机镜片,中间用竹组合成方格,利用镜子的反射,使身处其中的参与者产生幻觉,虚实影像不断延伸——无论是该展览还是这件作品,今天已经很少被提及,回顾这位艺术家的创作以及“大尾象”在90年代的艺术实践,可以发现介乎行为和在城市中间“表演”的作品属性在今天仍然有着广泛讨论的空间。 In this issue, the author chose the three pieces of the late artist Liang Juhui. Including the “Game One Hour” in 1996, the artist installed a color television set, an electronic game console and a game box of playing tanks in a skyscraper construction vertical lift in the emerging city of Tianhe in Guangzhou. Liang Kui Hui with the elevator up and down the high-speed running crazy game for an hour; “Paradise” is Liang Juhui in Guangzhou in 1994 Sanyu Road to participate in “no space ” exhibition works, he was in a small room, Full of organic lenses, the middle of the combination of bamboo into a square, the use of mirror reflection, which is involved in those who produce the illusion, the actual image of the continuous extension - whether the exhibition or the work, today has rarely been mentioned, Recalling the artist’s creation and the artistic practice of “Big Tail Elephant” in the 90’s, we can find that there is still much room for discussion about the attributes of works between behavior and performance in the city.