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一切不被历史长河所湮没的艺术生命往往诞生于“他杀”与“自杀”的间隙之中。“他杀”是东西方古今文化所构筑的围城,在这个围城里,一些从艺者进得去,出不来,泥古不化、良西不化,其艺术生命窒息于这个围城的樊笼之中。“自杀”是划地为牢、作茧自缚式的艺术行为,其艺术生命奄奄一息于陈套、荒率、随意、熟之又熟的惰性、破碎、拼凑、移花接木、作坊式的重复。
All the art lives that are not obliterated by the long history of history are often born in the gap between “hell” and “suicide.” “He Kill” is a siege built by the ancient and modern cultures of East and West. In this siege, some entertainers can not get out of their way and can not get out of the mud. The mud is not ancient, the west is not good, and its artistic life suffocates in the siege of this siege. “Suicide” is a caged and crap-style artistic act. Its artistic life is dying at Chen sheng, desolation, randomness, familiarity with inertia, fragmentation, piecing together, duplication of workshops and workshops.