贝里尔·弗莱彻的女性主义三部曲注重探索小说叙事的新形式。首先,弗莱彻的插章具有强烈的自我意识,不同于菲尔丁和艾略特的评论性插章以及海明威和斯坦贝克的故事性插章。其次,弗莱彻融入电影叙事,赋予叙述者话语权与视觉,实现了意识流叙事新的呈现形式。最后,她用多重叙事构筑了一个审美三角,使得叙述者在对话中走向权威。弗莱彻的叙事探索本质上是在现实主义传统中戏仿碎片化的现实,女性叙述者从无权最终走向自我赋权,从而建构了自己的权威。 Beryl Fletcher’s Feminist Trilogy focuses on exploring new forms of narrative. First, Fletcher’s imprint has a strong sense of self, distinct from the commentaries of Fields and Eliot and the storytellers of Hemingway and Steinbeck. Secondly, Fletcher incorporates the narrative of the movie, gives the narrator the right of speech and vision, and realizes the new presentation of the stream of consciousness. Finally, she constructed an aesthetic triangle with multiple narratives, enabling the narrator to move toward authority in the dialogue. Fletcher’s narrative exploration is essentially a parody of fictional reality in the realist tradition. Female narrators eventually construct their own authority from powerlessness to self-empowerment.