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毛泽东从1927年秋收起义到1934年长征离开中央苏区七年间写的11首词,加上1965年重上井冈山写的两首,其历史主题和美学主题,及其延伸到后来的诗词创作和政治实践中的精神气象,可以概括为破围、开辟四个字。作为历史主题,破围和开辟的内涵是在“围剿”与反“围剿”的斗争中,创建根据地;在对“星星之火,可以燎原”这一历史乐观信念的坚守和展望中,开辟新的中国革命道路。其美学主题的典型特征是普遍蕴含着一种艺术审美张力。破围、开辟作为历史主题和美学主题的确立及展开,不仅在毛泽东后来的诗词创作中继续延伸,同时也在他的内心世界里沉淀为一种永葆斗志、永远进取的精神气象。
Mao Zedong from the autumn harvest of 1927 to the 11 words written by the Long March in the seven years of leaving the Central Soviet Area in 1934, together with two articles written by Jinggangshan in 1965, its historical theme and aesthetic theme, and its extension to later poetry writing and politics Mental weather in practice, can be summarized as break, open up four words. As the historical theme, the connotation of breaking through and opening up is to create a base for the struggle between “encirclement and suppression” and “encirclement and suppression” of the “anti-encirclement and suppression” campaign. In adhering to the optimistic conviction of history that “the spark of the stars can start a prairie fire” And looking forward to opening up a new road to Chinese revolution. The typical characteristics of its aesthetic theme generally contain a kind of artistic aesthetic tension. The establishment and expansion of the theme of breakup and opening up as the theme of history and the theme of aesthetics have not only continued to extend in the later creation of Mao Zedong’s poetry, but also precipitated in his inner world into a spirit of eternal morale and eternal enterprising spirit.