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在文化传播领域中,儒家文化向世界提供了一种独特的文化身份,在构建国家形象的过程中是标识性的符号。但是,在最具影响力和渗透力的影视产业中,儒家文化的影像消解却是不争的事实,在一定程度上影响了国家形象的彰显和文化个性的塑造。鉴于此,本文以媒介融合为场域,对儒家文化的影像消解问题进行了系统研究,认为只有借助影像载体对儒家文化进行自我认同与研判,借助影像媒介对儒家文化资源进行多维度传播,借助跨文化的影像表达对儒家思想进行调和与修正,并以此构建儒家文化影像传播的全新话语平台,才能对儒家文化的影像记忆加以拯救。
In the field of cultural communication, Confucianism provides the world with a unique cultural identity and is an identifiable symbol in the process of building the country’s image. However, in the most influential and penetrating film and television industry, the dissolution of the Confucian culture is an indisputable fact, which has, to a certain extent, affected the manifestation of the national image and the shaping of the cultural personality. In view of this, this dissertation makes a systematic study on the problem of image resolution of Confucianism based on media convergence. It holds that only through the self-identity and judgment of Confucian culture with image carrier, through multi-dimension communication of Confucian cultural resources by means of image media, Cross-cultural imagery reconciles and modifies Confucianism and constructs a new discourse platform for the transmission of Confucian cultural images in order to save the image memory of Confucianism.