一、率真拙朴、奇肆雄强的审美品格在数十年的艺术生涯中,曼翁先生除了学习领会传统经典书法和乃师萧退庵的宝贵经验之外,尤其在以下三个方面进行了大胆的探索、尝试和创新。1.用笔方面讲究笔意、笔趣的有机结合,取其自然,在“无意于佳”中流露出平淡简静的气息。在结构上主笔一丝不苟,而次笔往往意到便成,使其体势平中见奇。2.用墨方面润燥结合,浓淡适度,富于层次变化,有“干裂秋风、润含春雨”的强烈对比和节奏感。3.“骨”法用笔,线条多骨少肉,参含清 First, the rate of authenticity, unimaginal aesthetic character In decades of artistic career, in addition to learning and understanding of the traditional classic calligraphy masters and teachers retreat Houmian valuable experience, especially in the following three aspects Daring to explore, try and innovate. 1. With the pen pay attention to the pen, the organic combination of pen, take it naturally, in the “no intention to good ” in the show simple and quiet atmosphere. In the structure of the meticulous writing, and the pen is often intended to become a result, so that their potential ordinary surprising. 2. Moisturizing combination with ink, light moderate, rich in level changes, there is “dry autumn wind, Run containing spring rain,” a strong contrast and rhythm. 3. “bone ” method with a pen, bones and juvenile lines, with reference to clear