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文章从具体与抽象这一对充满辩证唯物主义因素哲学的视角审视音乐中的一般要素和音乐的接受客体,提出音乐的具象与抽象。
The article examines the general elements in music and the receiving object of music from the perspective of concrete and abstract philosophy which is full of dialectical materialistic factors and proposes the concrete and abstract music.