依据西方悲剧理论,从结构模式上来看中国古典悲剧,因其有一个“光明的尾巴”而似乎冲淡了悲剧氛围。其实不然,这一“光明的尾巴”正是中国古典悲剧的特点所在。因其在创作主体、传统美学观念和观众审美心理等方面有着特殊的生成土壤,在结构形式上与西方悲剧不同而已。 According to the Western theory of tragedy, the classical Chinese tragedy from the perspective of structural mode seems to dilute the tragic atmosphere because of its “bright tail”. In actual fact, this “bright tail” is the characteristic of the Chinese classical tragedy. Because of its creative subject, the traditional aesthetic concepts and audience aesthetic psychology has a special generation of soil, in the structural form and the Western tragedy is different only.