九十年代的中国电视进入了一个新的时期,电视纪实性纪录片及对新闻事件的深度报道节目逐渐兴起,成为这个时期电视发展的主要特征。这种以主持人出画,现场采访为主,夹叙夹议类型节目,给电视屏幕吹来了一股清新的春风。 纵观这些作品的共性,那就是在题材上都是重大事件,报道具有一定的深度广度力度;时效上大都是正在发生或刚刚发生的进行时态;形式上多用现场录音、现场报道、追踪报道、纪实拍摄的手法;把新闻的真实性和评论的引导性有机地结合在一起。 China’s television in the 1990s entered a new era. Documentary television programs and in-depth coverage of news events gradually emerged as the main feature of television development in this period. This kind of host paintings, live-based interview, clip Syria types of programs, to the TV screen blowing a fresh spring breeze. Throughout the commonality of these works, that is, the subject matter is a major event, the report has a certain degree of intensity of the depth; most of the time is happening or just happened tense; the form of multi-site recording, on-site coverage, tracking reports , Documentary shooting practices; the authenticity of the news and the commentary organically combined.