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抗战题材剧在近年来重新火爆荧屏。这一题材剧在继承传统的弘扬国家意识形态、民族精神和集体主义精神的主旋律的基础上,通过对其长期存在的“高、大、全”式脸谱化人物塑造的突破,浓厚的党国意识形态的改变,简单的敌我矛盾的对立的重塑,具有意识形态的淡化与隐退,突破以往人物塑造的框架,根据时代的要求,进行相应的传奇化、浪漫化、游戏化等消费主义倾向的调整的特点。
Anti-Japanese drama in the recent re-popular screen. Based on the traditional theme of carrying forward the national ideology, national spirit and collectivism, the drama of this theme, through its breakthrough in shaping its long-standing “high, big and all” stereotyped figure, The ideological transformation of the Party and the State, the simple reshaping of the antagonism between the contradictions between the enemy and ourselves have the ideological dilution and retreat, breaking through the framework of the past characters and carrying out the corresponding consumption of the legendary, romantic, and gamification according to the requirements of the times The characteristics of the adjustment of the tendencies ofism.