论文部分内容阅读
一从某种意义上讲,当代个人原创的实践,在语言与风格上大都是前人所创造,只是在前人的基础上进行变化和延伸,提倡原创的意义在于,思想和精神上要更独立,语言和风格上更多样。1978年秋,我考入广州美术学院版画系,在之前我对版画的印象很淡薄,只是有点鲁迅提倡新兴木刻那些与战斗与关注社会现实的印象,再就是“文革”和“文革”后期“三突出”时的革命浪漫主义和革命现实主义的作品,其中对表现力
In a sense, the practice of contemporary personal originality is mostly created by the predecessors in terms of language and style. It is only based on the predecessors’ changes and extensions. The original meaning of advocating is that ideology and spirit should be more Independence, language and style more diverse. In the autumn of 1978, I was admitted to the Department of Printmaking of Guangzhou Academy of Fine Arts. Before that I was very impressed with printmaking. Only a little Lu Xun advocated the impression of emerging woodcut with those who are fighting and paying attention to social reality. Then there is “Cultural Revolution” and “Cultural Revolution” “Late”, “three prominent” revolutionary romanticism and revolutionary realism works, which expressive