傅山在书法、绘画以及美学理论诸多方面均有很深的造诣。在这些成就中,又以书法成就最为见长。这些卓越的成就与其高尚的人格魅力,明清时期动荡的社会背景都有着紧密的联系。本文试图阐释傅山书法风格变化的三个阶段,并且结合特定的历史背景来深入探讨其变化的外部内部因素,围绕赵孟頫书风而嬗变的过程。 Fu Shan in calligraphy, painting and aesthetics theory has many profound attainments. Among these achievements, the most outstanding calligraphy achievements. These remarkable achievements have close ties with their noble charisma and the turbulent social background in the Ming and Qing Dynasties. This article tries to explain the three stages of the change of calligraphy style of Fu Shan, and discusses the internal and external factors of the change with the specific historical background and the process of Zhao's change of style.