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易卜生之所以如此强烈地抓住了中国一代知识分子的心灵,是因为他的戏剧是一种道义之举挪威戏剧家易卜生和他的作品,近日来成为首都话剧舞台上最流行的风景。这位活跃于19世纪中后期的剧作家以其作品的批判精神,坚实品质和丰富内涵,依然滋养着当今时代的戏剧舞台。今年是“现代戏剧之父”亨里克·易卜生(1828～1906)逝世100周年,世界上有现代戏剧传统的国家和地区都有隆重的纪念活动和系列演出。由中国国家话剧院、文化部和中国对外文化集团公司共同主办的第二届中国国家话剧院国际戏剧季——“永远的易卜生”于9月在北京拉开帷幕,已陆续推出了《建筑大师》《群鬼》《群鬼探戈》《培尔·金特》等多部舞台作品,形成独特的“易卜生”热。
The reason why Ibsen seized the hearts of the first generation of Chinese intellectuals so strongly is that his plays are a moral move. Norwegian theater actress Ibsen and his works have become the most popular on the stage of the capital drama in recent days landscape. The playwright, active in the mid and late 19th century, is still nourishing the dramatic stage of the modern era with the critical spirit, solid quality and rich connotation of his works. This year marks the 100th anniversary of the death of Henrik Ibsen (1828-1906), the “father of modern drama.” There are grand commemorative activities and series of performances in the countries and regions that have a modern drama tradition in the world. The second session of the International Drama Theater of the National Theater of China, co-hosted by China National Theater, Ministry of Culture and China Foreign Cultural Corporation, debuted in Beijing in September. The “Ibsen Forever” Master of Architecture “” Ghost “” group of ghost tango “” Paull “and many other stage works, the formation of a unique” Ibsen "fever.