论文部分内容阅读
今年初夏,我和一个年轻的女同事忙中偷闲地去看了新上映的故事影片《她从雾中来》。我们满以为这会是部还看得下去的影片。可是,开映没几分钟,那个女同事便连呼上当,后悔不该把宝贵的时间化在看这种影片上。她对我说:“都已经是八十年代了,这部影片的节奏还这么慢,慢得简直连五十年代的片子也不如。”当时,她还列举了一些国产影片,以示对比。她的话使我回想起一九七九年我在全国第一届日本文学讨论会期间,看日本故事影片《人证》时的情景。
In the early summer of this year, I went to a newly released story film “She Comes from the Fog” with a young female colleague. We thought it would be a movie that could still be seen by the ministry. However, a few minutes after the show, that female colleague even call on, regret should not be precious time to look at this film. She told me: “It was already the 1980s, and the pace of the film was so slow and slow that it was not even the film of the fifties.” At that time, she also cited some domestic films for comparison. Her words remind me of the scene when I was watching the Japanese film “People’s Witness” during the first Japanese Literature Symposium in 1979.