20世纪80年代以杨牧、周涛、章德益为代表的“新边塞诗”派经历一个从繁盛到衰落的过程。文坛寂寞之时80后的李文强以稳重的姿态和深刻的文风出现在诗坛,把新边塞诗又推进了一层。该文将以其为个案从其新边塞诗歌创作本体的外在形式与内在形式美作为着眼点,期冀为当下诗坛提供一点有益的启示。 The “new frontier poem” represented by Yang Mu, Zhou Tao and Zhang Deyi in the 1980s has undergone a process from prosperity to decline. Literary loneliness after 80 Li Wenqiang with a steady attitude and a profound style of writing appeared in the poetry community, the new frontier poem and pushed a layer. This article will focus on its external form and inner form beauty from its new frontier poem creation ontology, aiming to provide some helpful inspiration for the contemporary poetics.