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程瑶田“丝竹同源,出于度分”观点中的“度分”实质包含两层含义:“初分之分”与“大成之分”。“初分之分”产生程氏琴上泛音理论,表明其对弦振动产生泛音列声学现象的科学认知;“大成之分”对“天运一周”三分损益律的绝对肯定产生了程氏“当律不当徽,当徽不当律”的琴上十二律按音位置理论,表明程氏整体的理论研究思维与方法依旧无法摆脱中国古代朴素唯物主义自然哲学观研究指导作用局限性的束缚,依旧是传统律吕之学“哲律一体”、“律历合一”研究特点的继承与发扬。
Cheng Yao Tian “Silk is the same origin, for the degree of ” point of view “degree ” contains two meanings: “First ” and “Dacheng ”. “The first minute points ” produces Cheng’s piano overtone theory, which shows that it has a scientific understanding of the overtone acoustic phenomenon of string vibration; “Dacheng of ” Of the absolute affirmation of Cheng’s “law improper emblem, when the emblem is not law” on the piano twelve position according to tone position theory, that Cheng’s overall theoretical research thinking and methods still can not get rid of the ancient Chinese natural materialism natural The limitation of the guiding role of philosophical view is still the inheritance and development of the study characteristics of the traditional law of LvLu and philosophy of unity of law and law.