在现代书法史上,于右任是继赵之谦、沈曾植、康有为之后出现的又一位碑学巨擘。他创造性地以碑入草,熔章草、今草于一炉,从而将碑学推向碑草书这一碑学最高发展阶段——在很大程度上,它标志着碑学在书法实践领域最高审美理想的实现。康有为于碑学曾有“千年以来,未有集北碑南帖之成者,况兼汉分、秦篆、周籀而陶冶之哉?鄙人不敏,谬欲兼之”的审美理想和宏 In the history of modern calligraphy, Yu Zuoren was another monumental scientist after Zhao Zhiqian, Shen Zengzhi, and Kang Youwei. He creatively took the tablets into the grass, melted the zhangcao grass, and planted the grass in a furnace, thus pushing the steleology to the monumental development stage of the stele-book, which symbolically marked the highest level of the science of calligraphy in calligraphy practice. The realization of aesthetic ideals. Kang Youwei wrote in the study of tabletology: “Since the end of the millennia, there have been no scholars who have set up Beibei Nantie. What is the status of Han, Qin, and Zhou? The aesthetic ideals and macros of the people who are not sensitive and want to be bothered?”