上世纪90年代中后期以来,专门刊登电影剧本的杂志在中国日渐式微,最终几乎完全退出了读者的视线。自那时起,中国电影观众对剧本的最直观理解很有可能并不来自于某个具体的剧本,相反,某些导演拍电影不用剧本的传言在普通观众心里成了导演能力的彰显。事实上,剧本之于电影,正如本次论坛的主题,是一 Since the middle and late 1990s, magazines specializing in screenplays have been declining in China and have almost completely withdrawn from readers’ eyes. Since then, most of the Chinese film audience’s most intuitive understanding of the script is likely not to come from a specific script, on the contrary, some directors make movies without the script rumors in the eyes of ordinary viewers became the director’s ability to highlight. In fact, the script for the movie, as the theme of this forum, is one