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“气韵生动”这一美学概念,是中国文艺理论的核心概念之一。然自谢赫提出六法后,历代名家文人对此做出不同的阐释。跳出中国文艺理论的圈子,以西方的符号学的视野从民族思维方式的高度来探析这一概念,“气韵生动”是汉民族图式思维方式的反映,图式思维的特征也是“气韵生动”的重要美学特征。基于其美学特征来探寻“气韵生动”的意义,无论是对于这一概念探讨,还是对于艺术创作都有重要意义。
One of the core concepts of Chinese literary theory is the aesthetics concept of “vivid style”. However, since Sheikh put forward six methods, ancient literati made different interpretations. From the circle of Chinese literary theory, this concept is explored from the perspective of Western semiology, from the perspective of nationalistic thinking mode. “Vivid life and atmosphere” is a reflection of the Han nationality schemata and the characteristic of schemata thinking is “ Vivid charm ”of the important aesthetic characteristics. To explore the meaning of “vivid” based on its aesthetic characteristics is of great significance both for this concept and for artistic creation.