董 棨 、钱杜、邵梅臣皆以画论称。董氏从训诂开始探求画的基本特征、创作思想 ,对如何正确地“师古人”发表了不少有益的看法。钱杜以自己的标准褒贬前代和本朝画家 ,对技法的理解有独到之处。邵梅臣对绘画的“意”与写意、神采与形质都有自己的看法。 Dong Ying, Qian Du, Shao Meichen all draw theory. Dong Xun began to explore the basic features of painting, his writing thoughts from his excuse, and published many useful opinions on how to correctly “teach the ancients.” Qian Du criticized the previous generation and his painter for his own standards, and his understanding of techniques was unique. Shao Mei-chen has his own opinion on the “meaning” and the freehand brushwork of the painting.