本幼画起画来很投入,投人中常有几分虔诚,仿佛是在做一件关系到人生的大事情。本幼画起画来很勤快,通宵达旦是家常便饭。几天不见,他会抱出一大堆作品来,让你目瞪口呆。本幼是水乡人,大学里学的是理工科。但他喜欢画画。画水乡、小桥、流水、白墙、青瓦、村道、树丛;他画童年度过的地方:山坳、田垄、小溪,处处蘸着幼时的新鲜。水墨淋漓和气氛氤氲是最恰当的绘画语言。《夜风清凉月西沉》、《三月雨》、《雨后斜阳》、《小桥溪边人家》等等,每一张画里都凝结着他对水乡深沉的情结,浓重得化不开。本幼曾行过万里路,长城、黄山都有他的足迹。曾见过南方的多种水乡:苏州的灵巧、广州的艳丽、嘉兴的秀美、绍兴的纯朴……感受最深的还是空气中都弥漫着水气的越山稽水。他尊重传统山水,崇尚观察体验,不强调对景勾勒的传统。早看山,夕望云,成了他每天的习惯。古朴的江南民居,青石板路,笃悠悠迎面而来的老牛,昏暗的灯 The painting is very young, very often devout, as if doing a major event related to life. The young painting is very diligent, it is commonplace all night long. Few days, he will hold a lot of work to make you stunned. The young is a water country people, university science is science. But he likes to draw. Draw water, bridges, water, white walls, green tiles, village road, grove; he painted childhood place: col, ridge, stream, everywhere dipped in fresh childhood. Ink dripping and atmosphere 氤 氲 is the most appropriate painting language. “Night wind cool moon sinks”, “March rain”, “After the rain”, “Little Bridge Creek people” and so on, each painting is condensed in his deep complex of the water, concentrated gain open. The young had traveled Miles Road, the Great Wall, Huangshan has his footprint. Have seen a variety of water in the South: Suzhou dexterity, Guangzhou gorgeous, beautiful Jiaxing, Shaoxing, simple ... ... the deepest feeling is filled with water in the air more water. He respects traditional landscapes, advocates observing experience, and does not emphasize the traditional outline of King. Early look at the mountains, evening clouds, became his daily habits. Quaint southern residential, Qing Shiban Road, Benedict Youling cattle, dim lights