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黑格尔首次将辩证法和矛盾学说引入了喜剧理论,从分析主体性所包含的内在矛盾入手,来揭示喜剧的基本特征,从而抓住了喜剧性矛盾的根源和核心。本文就主要从喜剧矛盾入手,来分析冯小刚电影《大腕》所体现出的喜剧性。
Hegel first introduced the theory of dialectics and contradiction into the theory of comedy. Starting with the analysis of the inherent contradictions in subjectivity, Hegel revealed the basic characteristics of comedies and thus grasped the origin and core of the comedic contradictions. This article starts with the contradictions of comedies mainly to analyze the comicity embodied in Feng Xiaogang’s movie “The Biggest Man”.