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茅盾文学是一种意识形态的文学抑或是偏重于心理与个人色彩的文学,即使从头到尾读透他那本内容详尽的回忆录《我走过的道路》,仍然无法窥知其中奥妙.茅盾的最大专长固然是写小说,而他能够把同一个时代有体系地重新组合,使他的作品世界博得了“史诗”之誉.如果和传记方面的研究(例如:他在教育杂志界的活跃状况等)相互对照,比较容易断定他的创造过程,是中国革命之政治发展的中心结构的从属交数.本文从规律命题的途径出发,探索擅长于描写人物性格的作家(作品);也许以历史根据来讨论茅盾的政治与文学之相关性,能使这项探索有更新的发现.于是,如何为茅盾的代表作《子夜》定位就成为最值得注意的一环.《子夜》创作时期
Mao Dun literature is an ideological literature or a literature that emphasizes psychology and individual color, and even if it reads through his detailed memoir, “The Road I Walked Through,” it can not glimpse the mystery. His greatest specialty, of course, was to write a novel, and he was able to systematically reorganize that same world to win the reputation of “epic.” And if biographical studies (eg, his active state in the education journal community Etc.), it is relatively easy to conclude that his creation process is a dependent affiliation of the central structure of the political development of the Chinese revolution.This article starts from the way of the law proposition and explores writers (works) who are good at describing the character of the characters, According to discussing Mao Dun’s relativity between politics and literature, this exploration can make new discoveries.Therefore, how to position Mao Dun’s masterpiece “Midnight” is the most noteworthy part of his life.