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潘天寿是20世纪中国绘画史上第一位旗帜鲜明地主张中西绘画拉开距离,并在创作中展示了中国画审美新境界的突出人物。他在绘画创作和美术教育方面都起到了重要性的作用,同时也作出了突出的贡献。他主张的核心价值体系内容体现了以人为本,倡导人的全面发展,这主要体现在对中国画和中国现代美术教育方面的巨大影响。本文将以比较分析和综合归纳的方法,结合中国传统文化、外来文化和现代美术教育思想等因素,对他绘画的艺术特色和美术教育思想展开全面而深入的研究,以便进一步认识潘天寿的美术教育思想以及其具有的重要意义。
Pan Tianshou was the first person in the history of Chinese painting in the 20th century to advocate the separation of Chinese and Western paintings and to show the prominent figure of the aesthetic new realm of Chinese painting in his writing. He played an important role in both drawing and art education, and also made outstanding contributions. The core value system advocated by him embodies the people-oriented principle and advocates the all-round development of people. This is mainly reflected in the great influence on Chinese painting and modern art education in China. This article will conduct a comprehensive and in-depth study on the artistic characteristics and art education thoughts of his paintings combining with the methods of comparative analysis and general induction, combined with the traditional Chinese culture, foreign culture and modern art education thoughts, in order to further understand Pan Tianshou’s art Educational thoughts and their significance.