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音乐创作的理念、方法与革命,从表现形态方面看,是从瓦解调性开始到重建序列音乐的新秩序;从音乐写作方式方面观察,实际上也是音高体系的急剧革命的结果。通过对“动机、集合”以及“序列、集合、纯音程写作”等具体的理论概念及其作曲实践的用法的区分和鉴别,引发了对音阶思维、音列思维、音程思维三种音高思维的理论与实践的鉴别。三种音高思维方式维系着调性与非调性音乐创作的基本理念,使其产生打破两者间认识屏障的自然力量。其结论是:归类与融合这三类音高思维以及它们所派生的具体作曲技法,可以引发我们音乐创作中诸多的思考与创新。
The concept, method and revolution of music creation, from the perspective of performance style, are from the beginning of the disintegration of tonalism to the reconstruction of a new order music; from the aspect of music writing, it is actually the result of the drastic revolution of the pitch system. Through the distinction and identification of the specific theoretical concepts such as “Motivation, Collection ” and “Sequence, Collection and Pure Intergraph Writing ” and their usage of composing practice, Differentiation between the theory and practice of sounding high thinking. The three kinds of pitch thinking ways keep the basic concepts of tonality and non-tonality music creation, and make them have natural forces that break the barrier between the two. The conclusion is that categorizing and blending these three types of pitch-based thinking and the specific composition techniques they derive can lead to many reflections and innovations in our musical composition.