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说起资华筠老师在20世纪五、六十年代的演员生涯。用现在流行的话来说叫做风光无限,红得发紫。然而谁能料到,风光过后她却能够潜下心来转入理论研究,由舞台上一位光彩照人的表演艺术家成功转型为成就卓著的舞蹈学者,并且做出了如此杰出的贡献。资先生求真好学的风范值得我们大家、特别是广大青年舞蹈家们学习。日前,她应邀在《光明日报》上发表的一篇“我与新中国六十年”的追忆文章,亦证明了艺术可以震撼人心,具有改变人的一生命运的伟大力量!文章写得情真意切、质朴感人,曾得到中央有关领导人的高度评价。现转载于此,以飨读者。
Speaking of the teacher Zihua Yun in the 1950s and 1960s actor career. In the words of the now popular is called unlimited scenery, red and purple. However, one could have expected that after the scenery, she could subvert her mind into theoretical research and successfully made a successful transition from a glittering performing artist on the stage to an outstanding dance scholar and made such an outstanding contribution. The style of seeking a studious teacher is worth learning by all of us, especially the young dancers. A few days ago, she was invited to publish an article on “Guangming Daily” entitled “My Sixth Year with New China”, which also proved that art can shake people’s hearts and has great power to change the life and destiny of mankind. Ingenuity, simple and touching, has been highly praised by the leaders of the Central Government. Now reproduced here, to readers.