论文部分内容阅读
在中国画的学习与创作中,技巧与法则是一个老生常谈的问题,不过,由于时代与社会环境的变迁,二者的内涵以及关系在不同的时代都会有所变化,因此今天对于这个问题的思考依然具有现实意义。技巧与法则类似于人们所说的技与道。技,即技巧、技术、技能,是指人完成一件事情的能力、方法、程序,但技巧常常不是最终追求,而是要与道沟通。这里有两层含义:首先,技巧当中含有道的成分或内容;其次,技巧熟练到一定程度后会达到一种境界,一种自由的、合规律的境界,就是道的境界。所以,二者可以沟通或互为表里,但不可等同。技的最高境界或技的发展方向是指向“道”的,“道”一般是指普遍的规律和法则,要达到这一境
In the study and creation of Chinese painting, the techniques and rules are a matter of commonplaceness. However, the connotation and relationship of the two have changed in different times due to the changes of the times and the social environment. Therefore, today’s thinking on this issue remains has practical significance. Skills and rules are similar to what people call skills and practices. Skills, that is, skills, skills and skills refer to the abilities, methods, and procedures of a person to accomplish one thing. However, skills are often not the ultimate pursuit but are to communicate with the Tao. There are two meanings here: first, the skill contains the components or contents of the Tao; secondly, when the skill is proficient to a certain extent, it will reach a realm. A free and law-based realm is the realm of Taoism. So, the two can communicate or interact with each other, but not equal. The highest level of technology or the direction of technological development refers to “Road ”, “Road ” generally refers to the general rules and laws, to achieve this situation