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通过介绍在云南省楚雄彝族自治州“梅葛之乡”马游流传的彝族原始性史诗“梅葛”的展演方式,从展演的角度来分析史诗吟唱习俗的特点、形式和内在制约性,以及史诗的变迁。史诗的吟唱可由祭司或歌手在“圣”或“俗”两种场合下演唱,具有不同的形态。史诗世代口耳相传,业已基本定型的核心内容中创世、造物、丧葬等最为古老,体现了原始性思维方式,是史诗的主体;其余如恋歌、婚嫁、生产等内容则为史诗的衍生部分。史诗因其吟唱者的不同而具有不同的特点。展演的场景、氛围、听众的反馈也会影响史诗展演本身。
This paper analyzes the characteristics, forms and internal constraints of epic singing practices from the point of view of performance by introducing the performance style of “Mei Ge”, the original epic of Yi people, which is a horse-sent horse in the hometown of Meige in Chuxiong Yi Autonomous Prefecture in Yunnan Province. Change. Epic singing can be priests or singers in the “holy” or “vulgar” two occasions to sing, with different forms. Epic generations pass from ear to ear, the core of the basic stereotypes has been the oldest, creation, funeral, etc., embodies the primitive way of thinking, is the main body of the epic; the rest, such as love songs, marriage, production and other content is derived from the epic . Epic poetry because of its different singers have different characteristics. The scene of the show, the atmosphere, the audience’s feedback will also affect the epic performance itself.