理查·施特劳斯,作为德奥后浪漫主义音乐的最后一位大师,艺术歌曲的写作多产又高质。本文通过对《理查·施特劳斯艺术歌曲39首》的文本分析,从附加音和弦或替代音和弦、复合和弦、高叠和弦、分裂和弦、变和弦、持续音的角度,试析其对传统和声材料的运用。 Richard Strauss, the last master of post-Austrian music for romanticism, wrote art songs productively and qualitatively. This article analyzes the text of Richard Strauss’ s Art Songs by analyzing the texts of the 39 songs of Richard Strauss from the angles of the additional or the substitute voice chord, the complex chord, the high overlapping chord, the splitting chord, the changing chord and the continuous tone The use of traditional harmonic materials.