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坑围画,主要流行于我国北方与西北地区的山西、内蒙古等地民间,有着民间美术较强地域性特征,体现着我国北方民间特定地理文化与审美艺术要求,同时也是民间传统文化艺术的鲜活载体。近年来,随着人们的物质生活提高,古村落破坏消失问题严重,小洋房替代传统民居,坑围画也遭受到前所未有的冲击,几近消亡。如何将民间活泼、造型生动的坑围画传承、发展?其现状令人担忧。目前,内蒙古自治区呼和浩特市已将其列为自治区第二批非物质文化遗产目录,相信这在一定程度上,对于民间传统美术的坑围画保护传承发展能起到一定促进作用。
Pit painting, mainly popular in North and Northwest China’s Shanxi, Inner Mongolia and other folk, with the strong regional characteristics of folk art, reflecting the specific geographical culture of North China folk and aesthetic art requirements, but also the traditional folk art and fresh Live carrier. In recent years, with the improvement of people’s material life, the destruction of ancient villages has become a serious problem. Small houses instead of traditional houses have also suffered unprecedented hitches and almost died out. How to inherit and develop the lively and lively pit crater? The status quo is worrying. Currently, Hohhot, Inner Mongolia Autonomous Region has listed it as the second batch of non-material cultural heritage list of autonomous regions, I believe this to a certain extent, for the traditional heritage of folk arts protection heritage development can play a catalytic role.