在唐初时期,以宫廷为中心的诗坛,弥漫着雕饰藻缋的艺术氛围。与此形成鲜明对比的,则是游离于宫廷范围之外的僧人、处士的朴素、通俗诗风,其中最极端表现当以王梵志诗为代表。如果说,同是处在宫廷范围之外的王绩等人的作品多少还是受到一些时代的影响,比如在诗歌律化形式方面,那么,王梵志诗则可以说丝毫未受到时代的影响,完全以通俗口语直书情事,成为唐代通俗诗歌的最早实践者。较他略后的寒山、拾得、丰干,以及中晚唐的顾况、罗隐、杜荀鹤,甚至大诗人王维、白居易,都或多或少曾受其影响。由于王梵志中年后皈依佛门,所作诗亦多据佛理教义以劝世,所以对寒 In the early Tang Dynasty, court-centered poetry circles filled the artistic atmosphere of carving algae. In stark contrast, it is a monk who is free from the palace. He is a simple and popular poetry style. The most extreme manifestation is represented by Wang Fanzhi’s poem. If we say that the works of Wang Ji and others who are outside the court are somewhat affected by the times, for example, in the form of poetry and law, then Wang Fanzhi’s poetry can be said to have never been influenced by the times completely The popular oral straight book situation, became the earliest practitioners of popular poetry in the Tang Dynasty. Compared to his slightly cold mountain, pick up, abundance, as well as the situation in the late Tang Dynasty, Luo Yin, Du Xun crane, and even the poet Wang Wei, Bai Juyi, have more or less affected by it. Because of Wang Fanzhi’s conversion to Buddhism after his middle age, most of his poems are based on Buddhist teachings to persuade the world. Therefore,