吴文英《莺啼序》除注重声韵外,还注意吸收美术手法。第一,构建微型景观。即在长句中运用“以文为诗”、“锤炼词的语言”等方式增加信息密度,力争每韵都提供一组较为完整的信息。第二,运用对绘画的感悟力营造作品的画面感。词人采取了分层次设色、精细描绘细节、晕染背景烘托主体等技巧。 Wu Wenying “Yingti sequence” in addition to pay attention to the rhyme, but also pay attention to absorb art techniques. First, build a miniature landscape. That is to say, in the long sentences, we should increase the information density by using “poem”, “language”, and strive to provide a complete set of information per rhyme. Second, using the perception of painting to create a sense of the picture of the work. The lectures have taken a multi-level color, fine detail, blooming background and other skills.