前段时间《欢乐颂》热播,成为许多人闲谈中的头条,一部剧作有这么大的影响力,必定是因为它触及当代人的“要害”——新入职场的困惑、繁复工作的压力、若即若离的爱情……我们从这部剧塑造的“五美”身上隐约看到了自己,就像有位网友总结的:“我们曾经是邱莹莹,慢慢成了关雎尔,想活成安迪的模样,想过上曲筱绡的生活,最后却都成了樊胜美……”这部剧角色鲜明,编剧将“五美”分为两个阶层:安迪、曲筱绡属于大城市精英阶层,分住2201和2203;樊胜美、关关和小邱住在2202,代表了正在兴起的中产阶层。《欢乐颂》对住在2202的三位女生的塑造,一定程度上隐喻了如今中 Some time ago, “Ode to Joy” hit, became the headline of many people chat, a drama has such a big influence, it must be because it touches the contemporary “key” - the new entrants into the workplace, complicated work The pressure, if the love from time to time ... ... We have seen from the drama “Five Beauty ” who vaguely saw himself, just as a netizen concluded: “We used to be Qiuying Ying, slowly became Kwan Seoul, Want to live as Andy’s appearance, wanted to live the life of Qu Xiaogan, but eventually became Fan Shengmei ...... ”This drama has a distinct character, the writer will be “ Five Beauty ”is divided into two classes: Andy, song Xiao Yuan belongs to the metropolitan elite, live 2201 and 2203; Fan Shengmei, Guan and Xiao Qiu live in 2202, representing the emerging middle class. “Ode to Joy” shape the three girls living in 2202, to some extent metaphorical